Childish Gambino

Lyrics

[Chorus]
Baby, you're the baddest
Baby, you're the baddest girl, and, uh
Nobody else matters
Nobody else matters girl, and, uh
We're kissing in the bathroom
We're kissing in the bathroom girl, and, uh
I hope nobody catch us
But I kinda hope they catch us, anyway

[Verse 1]
A New York nine's an everywhere else six
Timewise, the opposite goes for chicks
I'm in a taxi, texting with my best friend
He's sleeping with this girl that he met up on the West End
He's lucky, she's a career woman, no kids
Most girls see the clothes and try and gold dig
Most hoes poke holes in Trojans
Most people don't fuck and hit the lotto but my folks did
I'm a mess
That don't rhyme with shit, it's just true
Don't bring your girlfriend here, it's just you
When I'm depressed you're someone I run to
But, I guess meet me at Pianos
They cross-fadin' off of Nanos
Ugh, on that hipster shit
And you's a hipster, bitch
Yo, but not in the lame way
Like, you ain't livin' out in BK
Like, you ain't workin' on a screenplay
Like, your baby daddy ain't a DJ
Like, she listenin' to old Freeway
'Cause everybody listens to Biggie, but she different
Right, that’s why your friends need wristbands?
Fuck you
Can I have this dance?
[Chorus]
Baby, you're the baddest
Baby, you're the baddest girl, and, uh
Nobody else matters
Nobody else matters girl, and, uh
We're kissing in the bathroom
We're kissing in the bathroom girl, and, uh
I hope nobody catch us
But I kinda hope they catch us
Baby, you're the baddest
Baby, you're the baddest girl, and, uh
Nobody else matters
Nobody else matters girl, and, uh
We're kissing in the bathroom
We're kissing in the bathroom girl, and, uh
I hope nobody catch us
But I kinda hope they catch us, anyway

[Verse 2]
We can pretend if you want to, like
We in love and started dating at your art school
'Cause either way we both lying more than half of the time
Except for when I’m home workin' on your graphic design
Every time we see each other, I'm taking you home
Our relationship has gotten Sylvester Stallone
Yellow-911-Persian girl-in-the-back car
But me writin' a verse would be the only way they buyin' a bar
White boys used to trip and send me over a gin
But they busy showin' off each other Indian friend
She got ironic tattoos on her back
That ain't ironic bitch, I love Rugrats
Watching lames handle they fame, they bang any broad with bangs
In a band with an animal name
Hannibal came drinkin' a handle of Jameson
Analling anyone is the plan for the evening
I'm kidding, stop
Girl cryin' on Ludlow, she still look good though
Love is Eastside, who are you to hate?
Movie ass; not a 10, but a super 8
You ain't see me at the show? I was super great
Hotel penthouse, gon' and let it ruminate
City never sleeps, so I guess I'm never slept on
Did everything I could, then I kept going
[Chorus]
Baby, you're the baddest
Baby, you're the baddest girl, and, uh
Nobody else matters
Nobody else matters girl, and, uh
We're kissing in the bathroom
We're kissing in the bathroom girl, and, uh
I hope nobody catch us
(I hope nobody catch us)
Baby, you're the baddest
Baby, you're the baddest girl, and, uh
Nobody else matters
Nobody else matters girl, and, uh
We're kissing in the bathroom
We're kissing in the bathroom girl, and, uh
I hope nobody catch us
But I kinda hope they catch us, anyway

[Bridge]
Ooh, girl, I wanna know
Are you ready to cry? 'Cause I'm no good, no good
Ooh, girl, I wanna try
I'm an awful guy and I'm always away
And I'm tryin' to say I'm a piece of shit
Believe in this, I'm tellin' you
'Cause we barely knew what we had
I'm not that bad, the fun we had
Ooh
[Chorus]
Baby, you're the baddest
Baby, you're the baddest girl, and, uh
Nobody else matters
Nobody else matters girl, and, uh
We're kissing in the bathroom
We're kissing in the bathroom girl, and, uh
I hope nobody catch us
But I kinda hope they catch us
Baby, you're the baddest
Baby, you're the baddest girl, and, uh
Nobody else matters
Nobody else matters girl, and, uh
We're kissing in the bathroom
We're kissing in the bathroom girl, and, uh
I hope nobody catch us
But I kinda hope they catch us, anyway

L.E.S. by Childish Gambino is an electrifying track that takes listeners on a wild ride through the vibrant and bustling Lower East Side of New York City. In this ode to youthful escapades and the pursuit of pleasure, Gambino effortlessly blends catchy beats, clever lyrics, and thought-provoking social commentary. With his signature blend of wit and introspection, Gambino weaves a narrative that challenges hipster stereotypes while immersing us in the energy and allure of one of the city's most iconic neighborhoods. Get ready to dive headfirst into the vibrant sonic tapestry of L.E.S.

About L.E.S.

Gambino's L.E.S., which stands for Lower East Side, is a masterfully crafted hip-hop anthem that explores the complexities of young adulthood, love, and self-discovery. The track, positioned as the eighth song on his album, showcases Gambino's artistic prowess and his ability to create music that resonates with listeners on multiple levels.

From the opening notes, L.E.S. captivates with its infectious rhythm and energetic beats. The song's production is layered and dynamic, combining elements of hip-hop, electronic music, and funk to create a sound that is both contemporary and timeless. Gambino's seamless flow and melodic vocals effortlessly glide over the music, creating a captivating sonic landscape that demands attention.

As the title suggests, L.E.S. is centered around the vibrant and eclectic Lower East Side, a neighborhood known for its artistic flair, cultural diversity, and vibrant nightlife. Gambino expertly captures the spirit of the neighborhood, painting a vivid picture of the hustle and bustle, the colorful characters, and the endless possibilities that await in the heart of the city that never sleeps.

In true Gambino fashion, the lyrics of L.E.S. are intricate and layered, inviting listeners to dive deeper into the song's meaning. Gambino sets up and knocks down a collection of hipster stereotypes, offering a satirical take on the quest for love and connection in the midst of the city's hipster culture. With sharp wit and clever wordplay, he challenges societal norms and effortlessly blends social commentary with personal introspection.

Throughout the song, Gambino's lyrics are filled with clever references and allusions, creating a tapestry of interconnected ideas and emotions. He takes the listener on a journey, exploring themes of self-discovery, desire, and the complexities of modern relationships. L.E.S. serves as a reflection of the millennial experience, capturing the anxieties, hopes, and dreams of a generation navigating the complexities of love and life in the digital age.

The music video for L.E.S., directed by Gambino himself, further adds to the song's allure. Set against the backdrop of the Lower East Side, the video effortlessly blends vibrant visuals, captivating choreography, and powerful imagery to bring the song to life. It captures the essence of the neighborhood, showcasing its energy, diversity, and unique charm.

L.E.S. by Childish Gambino is a song that defies categorization and pushes boundaries. It seamlessly fuses elements of hip-hop, funk, and electronic music, creating a sonic landscape that is as captivating as it is innovative. With its thought-provoking lyrics and infectious beats, L.E.S. invites listeners on a journey through the vibrant streets of the Lower East Side, capturing the essence of the neighborhood with unparalleled artistry and depth. Whether you're a fan of Gambino's music or simply a lover of great storytelling, L.E.S. is a song that should not be missed.

• Release Date: November 8, 2011
• Artist: Childish Gambino